The targeting of Epsom is open to debate – but the right to peaceful protest is not | Greg Wood
As infuriating as disruption to the most famous Classic would be, opposition to racing is likely to be around for some time All human life is present and cheerfully incorrect in William Powell Frith’s famous painting The Derby Day. Lords and ladies, rakes and scoundrels, circus performers and card sharps, high society and lowlifes and everything in between, all cheek-by-jowl at one of the very few events in Victorian Britain at which the classes mingled with relative freedom.If Frith were to return to Epsom for the Derby next month, 167 years since the one he initially sketched in 1856, he would still find a rich assortment of characters both in the grandstands and roaming free on the Hill – with,...